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UID:1805@mkeshows.com
SUMMARY:Kowloon Walled City / Great Falls
DTSTAMP:20260724T153104Z
DTSTART:20261006T000000Z
DESCRIPTION:KICKSTAND PRODUCTIONS PRESENTS\nLIVE MUSIC / ALL AGES\n6PM DOOR
	S / 7PM MUSIC\n$20 CASH DAY OF\n\nKOWLOON WALLED CITY\nWebsite [http://int
	hewalledcity.com/] | Spotify\n[https://open.spotify.com/artist/5nWNvs5gvaH
	Wsai19HTFh9?autoplay=true] |\nFacebook [https://www.facebook.com/kowloonwa
	lledcity] | Instagram\n[https://www.instagram.com/kowloonwalled/]\nIn the 
	world of heavy music\, few bands embrace dynamics and negative space like\
	nKowloon Walled City. Since forming 15 years ago\, the band has increasing
	ly\nrefined its deconstructed approach to noise rock\, math rock\, and doo
	m\, landing\nthem on stages with similar boundary-pushing bands like Neuro
	sis\, YOB\, Sleep\,\nSumac\, and Thou.\n\nWith Piecework (Neurot Recording
	s/Gilead Media)\, the band’s fourth album and\nfirst since 2016's Grievanc
	es\, Kowloon Walled City reaches new levels of\nrestraint. Songs are bleak
	 and slow\, but concise. There are stretches of near\nsilence. While the b
	and has always operated under the MO that less is more\, it\nhas doubled d
	own on that ethos for Piecework. Singer/guitarist Scott Evans and\nguitari
	st Jon Howell\, the main songwriters\, self-imposed restrictions to push\n
	themselves creatively—“restraining ourselves into oblivion\,” as Howell pu
	t it.\n\nGREAT FALLS\nBandcamp [https://greatfalls.bandcamp.com/album/obje
	cts-without-pain] | Facebook\n[https://www.facebook.com/GreatFallsNoise/] 
	| Instagram\n[https://www.instagram.com/greatfallsnoise]\nSeattle Post Har
	dcore
URL:https://mkeshows.com/event/kowloon-walled-city-great-falls
GEO:42.9529484;-87.8597089931877
LOCATION:X-Ray Arcade - 5036 S Packard Ave\, Cudahy\, WI 53110
STATUS:CONFIRMED
CATEGORIES:All Ages,Math Rock,Noise Rock,Post Hardcore,Doom
X-ALT-DESC;FMTTYPE=text/html:<p><strong>KICKSTAND PRODUCTIONS PRESENTS<br>L
	IVE MUSIC / ALL AGES<br>6PM DOORS / 7PM MUSIC<br>$20 CASH DAY OF</strong><
	/p><p><strong>KOWLOON WALLED CITY<br></strong><a href="http://inthewalledc
	ity.com/" target="_blank">Website</a> | <a href="https://open.spotify.com/
	artist/5nWNvs5gvaHWsai19HTFh9?autoplay=true" target="_blank">Spotify</a> |
	 <a href="https://www.facebook.com/kowloonwalledcity" target="_blank">Face
	book</a> | <a href="https://www.instagram.com/kowloonwalled/" target="_bla
	nk">Instagram</a><br>In the world of heavy music, few bands embrace dynami
	cs and negative space like Kowloon Walled City. Since forming 15 years ago
	, the band has increasingly refined its deconstructed approach to noise ro
	ck, math rock, and doom, landing them on stages with similar boundary-push
	ing bands like Neurosis, YOB, Sleep, Sumac, and Thou.<br><br>With Piecewor
	k (Neurot Recordings/Gilead Media), the band’s fourth album and first sinc
	e 2016's Grievances, Kowloon Walled City reaches new levels of restraint. 
	Songs are bleak and slow, but concise. There are stretches of near silence
	. While the band has always operated under the MO that less is more, it ha
	s doubled down on that ethos for Piecework. Singer/guitarist Scott Evans a
	nd guitarist Jon Howell, the main songwriters, self-imposed restrictions t
	o push themselves creatively—“restraining ourselves into oblivion,” as How
	ell put it.</p><p><strong>GREAT FALLS<br></strong><a href="https://greatfa
	lls.bandcamp.com/album/objects-without-pain" target="_blank">Bandcamp</a> 
	| <a href="https://www.facebook.com/GreatFallsNoise/" target="_blank">Face
	book</a> | <a href="https://www.instagram.com/greatfallsnoise" target="_bl
	ank">Instagram</a><strong><br></strong>Seattle Post Hardcore</p>
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